Angela's Harp
My friend, Angela, recently built a harp. I remember when
she first told me that she had plans to do it. She mentioned that she had been
perusing the various patterns and kits for a while, trying to reconcile the complexity
of the project with her resolve to finish it once she started. Building a harp
from the ground up! How does a person
accomplish that?! Well, Angela, for one,
would have had both the nerve and the drive to attempt it, so as proud friends
do, I made it my goal to throw my enthusiastic support her way.
When I saw her
weekly at our band rehearsal, I would ask her about her progress. One week she
let me know she had made a decision and had ordered her kit. A couple of weeks
later she announced that her living room floor was sectioned off with all of
the innumerable pieces, and that she had begun sanding the wooden parts. There was one week where she wasn’t sure if
she had bitten off more than she could chew with this project. “But,” she said
to me, “it’s a labor of love and it won’t matter if I’m 80 years old when I
finally finish it.”
A labor of love. This is the crux of Angela’s story, the
part about why she wanted to build a
harp in the first place. I met Angela
about four years ago, when she sat down next to me in band and introduced
herself to me. We got to chatting during warm up—we both played trumpet—and in
life there are just people with whom you feel an instant affinity. We became
fast friends. By the end of our rehearsal that evening, we knew some things
about each other. She knew a bit about my family situation, and I knew that she
had recently lost a son, a child of eight, to cancer.
Derek was one of those boys who lit up a room with an
exuberant smile that took up the entire bottom of his face. Under a blonde pate
complete with a cow-lick, a pair of aqua-marine eyes squinched up on the
outside corners while his eyebrows rose forlornly on either side of the bridge
of his nose. He was an irresistible combination of good looks and comedy. He
had a chin dimple to boot. Kate, his younger sister, adored him, and he was a
protective, guiding, older sibling. Even through his cancer treatments, Derek
was the type of boy who concentrated on the living he was doing, over and above
the illness he was experiencing. In one of my favorite photos of him, Derek is
posing in a mediaeval knight’s costume holding a sword and shield, gazing off
in the distance and trying very hard to look serious and grown up. The photo
has been stylized to a sepia tint which gives him the effect of a young,
virtuous conqueror, defending his homeland. Priceless.
He loved classical music. In his illness, Derek was able to
have sessions with a music therapist who introduced him to the Hapi drum. The
therapist would have Kate play the drum for her brother while accompanying her
on the guitar. A Hapi drum works similarly to a harp, by the way. The effect of
this harp-like drum was soothing to Derek during his hospice.
To lose such a boy at such a young age—the heartbreak of it
is raw and ugly. How many of us would shake our fist at the heavens over such a
tragedy? But Angela, the mother of Derek, decided to continue living and loving
afterward, in a way that keeps his spirit alive—this has been the mission of Angela’s
life. She isn’t the type to waste time in trivialities that don’t unite the
people around her in happy endeavors. She believes deeply in music, joy,
laughter, hugs, huge slices of lemon pie...and harps.
She knew when she made her decision to build her harp, that
there was no going back, no option to quit, no matter how intricate or
frustrating the task would become. She said to me at one point, “After what I
have lost, nothing is too challenging for me now, because nothing could be more
difficult than not having Derek here.” When
you have survived profound loss, there are no comparable difficulties going
forward.
Over the years there has been a little group which gathers
after our band rehearsal at a local restaurant. It turns out that every one of
us in this group has known profound loss of some sort. We ditched the
restaurant a couple of weeks ago and kicked off the holiday season with a
Thanksgiving potluck at our house, a rousing session of playing Christmas
carols on our instruments, and plenty of jokes and laughter. Angela brought her
finished harp. Her daughter, Kate, played a composition on it that she had
created. Angela also played for us, beautifully (even though she says she is
just beginning to learn it).
Afterward, she generously invited me to pluck the strings
for myself. I sat down on the chair and carefully leaned the harp backward
toward my left shoulder. There is an air gap on the back side of the harp and,
naturally, I could not resist peering down into it. Inside that empty space, in
lovely handwriting on the backside of the wood, are the signatures of Angela
and her family members, along with a dedication poem to Derek. They built this
tribute into the harp. This is really Derek’s harp. Angela intends to learn all
she can to play it well, so that she can travel with it, bringing comforting
music to other suffering children and their families.
Wow! I have my own little story about Derek. Angela sat next to me in band and we got along wonderfully. Like most in the I knew her son's story. One day I stumbled upon the music to a song I had not heard for years. I printed the music out and played it. I picked up my horn 8 times that day and played that song. I just felt the need to do it. Two days later I learned Derek died on the day I had to play that song. It is the lullaby from the movie Chitty Chitty Bang Bang, "Hushabye Mountain." I often play the song at my Covid Concerts, and tell this story if it is appropriate for my audience to hear.
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